Cindy Stubbs

For most Canadians, until very recently, the history of Canada’s relationships and interactions with Indigenous peoples has been obscured. Collectively, we need to remove the barriers to learning and hopefully understanding our combined but often not shared histories. I think the authors of this book have done a masterful job of making this history accessible by weaving into it the stories of two adjacent but very separated communities, families and individuals. This is not a typical historical textbook. As historical events are described they are given context because we learn of the effects on the lives of individuals and families in both communities – Waywaseecappo and Rossburn, one located on either side of the Birdtail River in Manitoba. While the authors share the story of these two adjacent communities, they are in many ways telling the story of Canada. We learn of government practices that were put in place to prevent Indigenous self sufficiency and economic success – not just in the past but continuing even today. The story of racism not just between the Indigenous and settler communities but also with new immigrants who were brought to Canada by the government. The impact of residential schools over generations is balanced with a story of success when new approaches to education for both communities were put in place. We hear individual stories of people who have overcome barriers and worked towards building a stronger future for both communities. There are stories that sadden but there are also stories of hope and resilience, and suggestions on how to continue this work into the future, making it better for everyone. I would highly recommend that everyone reads this book. We owe it to ourselves to learn more about the past because until we do, how can we go forward or change the future? I have confidence that future generations of Canadians will have that understanding because these stories are being told.

Respectfully submitted

Michele Altermann

The Woodland Cultural Center’s annual juried show brings together a wide array of Indigenous contemporary artists to share their stories, passions and talents. Offering the opportunity for 

visitors to learn and appreciate Indigenous knowledge, while creating awareness of current social, and political movements and perspectives from various Indigenous communities from both sides of the border. Embracing values associated with the Good Mind: Ka’satsténshsera, emerging, mid-career and established artists have submitted work ranging from acrylic or oil paintings on canvas to sculpture, beading, photography, watercolour, stained glass, mixed media and pyrography on wood.

The 2024 exhibit explores themes such as relationship to place, protest, family, fashion, dance, law and the environment, reflecting the rich tapestry of Indigenous experiences.

In the catalogue, you have an opportunity to hear from curator Patricia Deadman, and jurors Rachelle Dickenson, David General, and Maxine Noel, all highly accomplished in their field.

Each of the art pieces is photographed, and a directory of all artists including biographies and illuminating descriptions of the artworks is provided.

By December of this year, the WCC’s gift shop hopes to offer the 50th Anniversary Catalogue: Indigenous Art 2025. I recommend making a trip to visit the Mohawk Institute in Brantford for a tour of the newly renovated interpretive centre, followed by a visit to the Woodland Cultural Centre, next door. If you can, attend in Summer/Fall to take in Indigenous Art 2026. There will be much to discover.